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In Double Standard, James W. Russell shows how and why different models of social and welfare policy developed in the United States and Europe. The fourth edition has been revised and updated throughout to reflect recent political developments that are having significant policy consequences, including the Brexit vote in the UK and the election of Donald Trump in the U.S. The fourth edition also features additional material on Karl Polanyi, European party politics, disability policy, and more.

Part One, "The Development of Social Policy," discusses the factors that contributed to the different shapes of social policy in the U.S. and Europe. Part Two, "Key Social Policies," considers how different counties have handled commons social problems including poverty, unemployment, child and family support, retirement and disability, health care, race and immigration, and incarceration. These different social policy orientations have produced disparate social ways of life-ways of life that are now in contention for the future of Western societies.

A complimentary test bank including discussion/essay questions and multiple choice questions is available. Please email textbooks@rowman.com for more information.




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Museums have moved beyond exclusively collections-based missions, and the economics of museums have tightened considerably. As a result, the tenor of the discussion around the practice of deaccessioning and use of its proceeds has become livelier, if not strident. While the professional associations continue to expect adherence to their standards, Boards of Trustees are looking at museum collections as assets that can potentially be monetized to support the museum's mission or ensure its survival.

As museum professionals and trustees engage in these discussions and make critical decisions for their institutions, they will benefit from a deeper understanding of the complex and nuanced aspects of deaccessioning, which this book presents anew.

Is It Okay to Sell the Monet? provides background on deaccessioning and disposal of deaccessioned objects and a context for changes in the field brought about by expanding missions and contracting resources. It includes an important discussion on how museums might utilize collections in new ways that benefit their visitors and communities. It provides practical guidance on the process of disposing of objects and explores the ethical standards of professional museum associations-examining their history, relevancy, and practical effect. It also delves into the complicated legal issues that sometimes challenge these ethical rules. Finally, it analyzes high profile museum case studies with important takeaways that will be useful for museums faced with similar circumstances.




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As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen.

This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.




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